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Genre-Building Communities: Bootstrapping Collaborative IntelligenceI. The problem of the utteranceThreaded discussion as dialog of utterances (Bakhtin)notes as utterancesfrom discussion to knowledge-buildingThe problem of generic utterancescliches, not innovative ideasThe pragmatics of interaction (Searle)utterance as social actlevels: perlocutionary, etc.Communicative action and society (Habermas)social interactionII. Dwelling poetically in languageOne’s generic utterances (Heidegger)social definition of thought or conservative cultural criticism?The jargon of authenticity as social theory (Adorno)critique of interpretations of SuZ by its jargonTradition and poetic creationpotential for innovation through mysterynew linguistic genresIII. The interplay of interpretive horizonsExternality and interpretation (Koschmann)cannot observe without interpreting intentionality (Searle Chinese room)The inter-play of hermeneutic horizons (Gadamer)interpretation from perspectivesperspective taking/making (Boland)Perspectives and situated reflectionreflection is situated in different perspectivesthe interplay is magical re-contextualizingIV. Bootstrapping social knowledgeAcceleration (Engelbart) and doubly exponential growth (Stahl)Perspective building as meta-knowledge-buildingKnowledge-building with computer supportpersistent utterancesnegotiation of perspectivesGenre building as social construction of linguistic artifactsestablish new genres, new artifacts of the languageV. A scenario of genre-buildingusing levels of inter-textuality with and without computer support using hypermedia perspectivessomething one person says in their perspective triggers something else recontextualized in another’s perspectivecomputer support preserves utterances in situ so mystery/history can be reflected onreconstructed scenario with inter-lay of texts:GS: JB: degrees of separation, Engelbart’s info changing -> community change of separations MM: That’s it: changing communities, not info! GS: proposal concept GG: Walter Benjamin TK: Who? GS: literary critic -> philosopher (bridge textual backgrounds)
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